An ideal 9 square grid, 20’ x 20’ in both plan and section sets the foundation for the building.

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This minimalist ordering system that stems from Kengo Kuma's Nest We Grow structure provides the opportunity to layer systems, spaces and materials to establish sets of hierarchies through the imposition of a series of operations. Sub-diving the structural grid and shifting mezzanine levels along a smaller 10’ x 10’ grid inside and around the primary structure not only adds to the square footage, but also creates a set of programmatic and organizational voids that produce a sectional variation in spatial density. In addition, detaching the cores maintains an open, flexible and uninterrupted interior. The form becomes a three-part system comprised of the cube, the cores and the plinth or platform.

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In relation to the site, this universal cube juxtaposes the cultural context and public inhabitation. Situated to create new public access ways that vary in threshold density, the ground level is intended to be more localized. Drawing inspiration from the Beinecke Libary, I chose to sink the courtyard to provide a semi-private space that can be experienced and viewed from multiple perspectives; it further indicates that there is an activity below. When approaching the building facade, I considered the materiality of the entire site and focused on the material effects and properties in relation to the spatial qualities. Therefore, by referencing artists and architects such as Doug Aitkens, Noguchi and Lina Bo Bardi I was better able to control how the material choices reflect the conceptual and programmatic distinction.

To enhance the contrast of the building vs. the ground or the public vs. private, I chose to use highly reflective mirrored panels on the ground floor walls and ceiling to create the appearance of a floating cube that uses the constantly changing street context as the ornament. On the other hand, the dense tiles are white polished concrete. These varying opaque materials allow the occupants to interact with the building in an experiential and loosely defined manner. While the public spaces are more dense, the private space works in opposition as there is the ability to see through it. The translucent polycarbonate panels that are used as the building skin constantly changes the reading of the 9 square grid depending on the natural and artificial lighting. Not only does this material allow natural light to penetrate the workspace, but it also gives the public a glimpse into the collaborative space.

In addition to creating an interactive environment, I aim to enhance the wellbeing of the occupants by including and considering sustainable features. Aside from studying the sun patterns to orient the building onto the site, moments of relief and access to the exterior are key components of my design. Operable windows penetrate the envelope to promote natural ventilation, and an extensive green roof provides a private sanctuary.